A Prairie Stage Companion - Current Structure And Development of Professional Theatre in the United States

Document from the year 2007 in the subject American Studies - Culture and Applied Geography, grade: keine, University of Potsdam, language: English, abstract: 'In some ways it's a well-kept secret. People on the coasts don't seem to know that such a vibrant theater and arts scene exists in the Midwest.' This is how an anonymous survey participant described the unique quality of theatre in the Midwest, which illustrates the essence of this thesis paper. While the following work is focusing primarily on professional theatre in the Midwest, it also catches a glimpse on community theatre, especially in Montana, as their major form of theatre. In general, American theatre is often equated and centered with theatre that is produced and staged on Broadway in New York City. Yet, the American theatre scene is much more diverse and widespread than commonly believed. The common misconception about American theatre outside of New York is supported by the lack of literature about Midwest theatre. Information on Midwest theatre for instance is mostly covered in American theatre biographies, however, current studies on the variety and structure of contemporary Midwest theatre are rather rare to non-existent. Therefore, empirical and statistical research for this paper in form of field and Internet studies were essential. The structure of the paper in some way reflects the diversity of Midwest theatre and landscape, starting by defining the Midwest as a region, followed by a brief history of American theatre in general and its basic current structure. A description of all established theatre branches in the Midwest, case studies of exemplary theatre companies in Chicago, Minneapolis, Iowa, South Dakota and Montana, are preceded by individual perception on Midwest theatre by performing artists as well as audience members. ' I was surprised by the professionalism and wide variety of theatre opportunities for people in the Midwest region (Chicago areas especially) after being raised in New York, where 'everyone who is anyone' should flock to for theatre experience. The Midwest and others regions offer a wide span of experience and opportunity for many aspiring talented theatre professionals and amateurs alike.' This exploration proves there is indeed a wide variety of theatre in the Midwest, ranging from highly professional companies, to highly motivated, quality amateur theatre, and that there is much more potential in creative energy and ambition than commonly believed.